Ghanaian artist Ibrahim Mahama tops ArtReview’s Power 100 for 2025: Video

The recognition marks a significant milestone for Mahama and for the growing international visibility of artistic practices rooted in Africa.

ArtReview’s Power 100 is an annual ranking that identifies the individuals considered most influential in shaping the contemporary art world. Compiled by the UK-based magazine ArtReview, the list reflects impact across artistic practice, institutions, markets and cultural debate, rather than commercial success alone.

Images from Accra show sacks filled with coloured rocks and stones, labourers assembling large textile installations, and visitors moving through museum spaces where Mahama’s work is on display. His work is best known for monumental textile-based pieces made from repurposed jute sacks and industrial materials, which frequently address themes of labour, history and exploitation.

Mahama has argued that producing ideas from Africa inevitably shapes how those ideas resonate globally. He noted that while artists and students have traditionally looked towards the West for knowledge, the conditions on the continent also generate forms of understanding that cannot be created elsewhere.

The artist said his decision to base his practice in Tamale was deliberate. Using a metaphor, he compared art to sugar that attracts ants wherever it is placed, explaining that building his studio there was less about location and more about contribution, learning and long-term engagement.

At 38, Mahama climbed from 14th place in the 2024 ranking to the top position this year. Over the past decade, his large-scale installations have brought him international attention, positioning his work at the centre of discussions about labour, responsibility, memory and the social implications of artistic production.